You are at the top of the page

Skip to content or footer

Start of main content

Wren's Royal Palace

Date: 08 March 2023

Author: Daniel Jackson

300 years since the death of Sir Christopher Wren

The Wren 300 UK national festival in 2023 marks the 300th anniversary of the death of Sir Christopher Wren. Here, Head of Historic Buildings Daniel Jackson looks at one of Wren's most famous and problematic projects: the remodelling of Hampton Court Palace.

Sir Christopher Wren is one of the most recognisable names in British history, and has a strong claim to the title ‘Britain’s Greatest Architect’. He was the artistic genius responsible for so many of the most iconic buildings in London.

This year marks 300 years since Wren’s death, at the age of 91, in 1723, and we are taking the opportunity to look in more detail at one of his most important buildings, Hampton Court Palace. Here his ambition and creative talent came up against William III and Mary II’s lack of funds and the complications of bringing Henry VIII's sprawling early 16th century palace up to the modern standards expected by 17th century royalty.

A portrait of Sir Christopher Wren by Sir Godfrey Kneller

New Beginnings

Wren enters Hampton Court’s story at a crucial turning point. The palace had only recently survived the English Civil War, where Parliament had been very close to flattening the buildings and selling off the parks. William and Mary visited shortly after they arrived in England to claim the throne.

The King and Queen loved the palace's location, out of the city, near the river, and surrounded by parks and hunting grounds. But the palace itself left much to be desired. They employed Christopher Wren, already an accomplished architect, to design a new royal palace in the fashionable new Baroque style.

Image: Sir Christopher Wren by Sir Godfrey Kneller. © National Portrait Gallery, London 

Tear it all down

Wren’s original plans, many of which survive in the archives at the Sir John Soane's Museum, involved the near complete demolition of the palace.

Thankfully for all fans of Tudor architecture, the plans were revised numerous times to reduce the costs. The result still required a large section of Henry's palace to be destroyed, but important buildings like the Great Hall and Chapel Royal were saved.

Image: The Tudor Great Hall at Hampton Court Palace.

16th century doorway, cut in half and hidden behind panelling by Wren during the construction of the Baroque Palace

Hiding the cracks

This compromise created many challenges for Wren and the evidence of how he solved these are all around you when you visit Hampton Court Palace today. Many of the challenges were simple, for instance where the Tudor Palace comes to an abrupt end and is hidden behind the Baroque panelling, but others required much more effort to overcome.

Image: 16th century doorway, cut in half and hidden behind panelling by Wren during the construction of the Baroque Palace. © Historic Royal Palaces

Problem 1: Where to put the front door?

When laying out Hampton Court Wren decided to line the new eastern entrance up with the Long Water, a huge canal built by Charles II. This looked fantastic from the outside, but because the Chapel Royal was still standing, the internal courtyard was left squashed and asymmetric.

Recognising that this compromised the space Wren added a cloister, with kitchens and storerooms surrounding the central open lawn, making Fountain Court a set piece to be viewed, but rarely visited, by the Royal Family.

Image: Fountain Court. © Historic Royal Palaces

Take a look around Wren's Fountain Court on our 360-degree image, created in partnership with Google Arts & Culture.

Problem 2: Keeping the floors level

Another issue can be seen in the same courtyard. Wren had to work with the existing first floor level of the Tudor state apartments and was keen to avoid adding a step between the old and the new. This made it difficult for Wren to make the design fit classical architectural proportions.

Here, he solved the problem by building the main elevations to the expected size, but then adding a lower, vaulted internal ceiling. He then went a step further by adding these beautiful carved stone details to make the decision appear to be a design choice, rather than a structural one.

Problem 3: Hiding the old palace

Much of the old Tudor palace was in a poor state of repair, and Wren didn't want these rundown buildings making his new work look shabby. He constructed this elaborate colonnade to help hide the old Tudor buildings, and at the same time create a grand formal entrance to William's State Apartments.

Image: Clock Court Colonnade looking south.

Wren's Legacy

Wren's work at the palace was innovative and extraordinary, but it also resulted in the destruction of almost half of the Tudor palace, including nearly all of Henry VIII's private apartments. Of course, without this intervention the palace may have fallen into complete disrepair, which would likely have led to its eventual demolition.

Visit Hampton Court Palace to enjoy the architectural riches Wren created, but spare a thought for all that was lost to make space for it.

Daniel Jackson
Head of Historic Buildings
Historic Royal Palaces

More from our blog

Searching for the Young Black Man in the Portrait of William III, Part I

17 May 2024

A young Black man dressed in blue and gold holding a helmet stands beside William III in a portrait that is a focal point of our exhibition: Untold Lives: A Palace at Work. Who was he? Where did he live and when? Why is he in the painting with William III? And how can historians unravel the mystery surrounding him?

Jean Tijou's Screen at Hampton Court: The Adventurous Life of a Masterpiece

15 April 2024

The glorious 300-year-old Tijou Screen marks the southern boundary of the Privy Garden at Hampton Court Palace, next to the River Thames. It was designed for William III and Mary II in 1689 by Jean Tijou – one of the greatest ironworkers who ever lived.

Share this on:

Twitter Facebook